The idea of a rebirth in the art and civilization of the western world during the fifteenth and sixteenth centuries has proved an enduring one. Expertly traversing religion, art, history and culture, the author suggests that the region that produced Luther and Durer owed as much to its own past heritage as to new ideas from Italy.

The concept of a Northern European 'Renaissance' in the arts, in thought, and in more general culture north of the Alps often evokes the idea of a cultural transplant which was not indigenous to, or rooted in, the society from which it emerged. Classic definitions of the European 'Renaissance' during the 14th, 15th and 16th centuries have often seen it as an Italian import of, for example, humanism and classical learning into the Gothic North. There were certainly differences between North and South which have to be addressed, not least in the development of the visual arts. In this book, Malcolm Vale argues for a Northern Renaissance which, while cognisant of Italian developments, had a life of its own, expressed through such innovations as a rediscovery of pictorial space and representational realism, and which displayed strong continuities with the indigenous cultures of northern Europe. But it also contributed new movements and tendencies in thought, the visual arts, literature, religious beliefs and the dissemination of knowledge which often stemmed from, and built upon, those continuities. A Short History of the Renaissance in Northern Europe - while in no way ignoring or diminishing the importance of the Greek and Roman legacy - seeks other sources, and different uses of classical antiquity, for a rather different kind of 'Renaissance' in the North.

A must-read book for all those interested in the history of culture, and [it] would be great news [for it] to be translated in [other] languages ... so that it could be accessible to a greater number of readers